Christmas

That Should Be A Christmas Season Movie Release: God Rest Ye Merry, Soldiers

It’s called God Rest Ye Merry, Soldiers

It is a War Drama

In the vein of Joyeux Noel

It is like Gone With the Wind meets All Quiet on the Western Front

It follows the common Billy Yanks of The Army of the Cumberland

And the common Johnny Rebs of the Army of the Tennessee

As they battle the elements, their officers, and each other to survive a meatgrinder of a war.

Problems arise when they are thrown against each other at one of the bloodiest battles of the conflict.

Together, their shared humanity, mutual respect and the Spirit of Christmas will help them rise above the brutality of war and show each other grace and kindness.

The idea came to me when I was reading God Rest Ye Merry, Soldiers and was astonished at how mortal enemies showed each other more respect than people removed 150 years from the events do, and how the message of peace and forgiveness as shown by the soldiers Blue and Gray is one our nation desperately needs to hear right now.

My unique approach is a war movie set at Christmastime but takes place after Christmas Day during the 12 Days of Christmastide and in which the changing cultural meaning of Christmas is a major element in the story’s healing climax.

A set piece would be the night before the battle when the regiments of the Confederate and Union armies are lined up and facing each other. The musical bands of each regiment try to outplay the other with different songs. The Northern bands play “Battle Hymn of the Republic” and their version of “The Battle Cry of Freedom.” The Southern ones play “Dixie” and their own version of “The Battle Cry of Freedom.” Then a band starts playing “Home, Sweet Home.” Every band takes up the tune. Then every tongue, Blue and Gray, takes up the chorus. Soon the entire battle lines of both armies are singing the song in unison. When it ends not an eye is dry.

That Should Be A Christmas Season Movie Release: A Higher Call by Adam Makos

It is a War Drama.

In the vein of Top Gun: Maverick

It is like Hacksaw Ridge meets Valkyrie.

It follows bitter German fighter pilot Franz Stigler.

And rookie American bomber 2nd Lt. Charlie Brown.

As Franz seeks a Knight’s Cross by shooting down American planes and Charlie tries to keep his crew alive.

Problems arise when the Americans start bombing Franz’s homeland and Charlie’s plane is heavily damaged by enemy fire.

Together their sense of chivalry,  honor and duty will result in one of the most remarkable acts of humanity during World War II.

The idea came to me when I was reading A Higher Call by Adam Makos and it reminded me of my own transformation from viewing all Germans as cartoonish Nazis involving someone named Franz.

My unique approach would be a World War II event told mainly from the German perspective in which Americans are seen as the faceless enemy dropping terror from metal beasts in the sky and our protagonist must come to see them as human.

That Should Be A Movie: An Invisible Thread

A set piece would be when Laura takes Maurice to visit her sister Annette’s family in the suburbs on Christmas Eve. Her niece comes home crying from a friend’s house. When she had mentioned Santa Claus, her friends had laughed at her, saying Santa Clause was not real. She asked her brother and sister if that was true, and they said yes. She began wailing. Later that evening she was dressed in wings and a halo to play an angel in the church pageant, but was still inconsolable, making the family run later. Maurice watches her throw a tantrum expecting that at any moment she would be shouted at or hit by someone. He thought, “She better quiet down before she gets a whipping.” He sees her father, Bruce, approach and just knows she’s going to have a whipping. Instead, Bruce sits next to her, picks her up, puts his arms around her and strokes her hair. Instead of punishing her, he was loving her. Maurice could not believe what he had just seen. He vows to be a father like that someday.

That Should Be A Movie: A Christmas Far From Home by Stanley Weintraub

A set piece would be when the 5th and 7th Marines, including 600 wounded walking with the help of ice-glazed tree limbs, march into Hagaru. They had fought their way there over fourteen miles for four days and three sleepless nights. Their comrades gather on the surrounding hills to greet the arrival of their comrades who were covered with ice and stubble. At 600 yards from the perimeter, the column stops. The wounded and frost bitten who could walk, crawled out of their trucks and fell in line with their comrades, their boots stomping the snow in perfect cadence.  In the snow. As the column enters the perimeter, some grunts join them, marching along side the column “From the Halls of Montezuma…”They began singing “…To the shores of Tripoli…” It is the Marines Hymn. “…We will fight our nation’s battles…” Rugged veterans were brought to tears. “Look at those bastards,” they say. “Those magnificent bastards.”

That Should Be A Movie: Ship of Miracles

It is called Ship of Miracles
In the vein of Schindler’s List
It’s like Dunkirk meets Titanic
It follows religious ship’s captain Leonard LaRue
And self-sacrificing doctor Bong Hak Hyun
As they seek to evacuate 90,000 to 100,000 North Korean refugees trapped between Chinese Communists and the sea during a bitterly cold winter in the Korean War
Problems arise when the only ship left is LaRue’s Meredith Victory, a ship design to carry only 12 passengers, to evacuate the refugees as rumors of Communist infiltrators among the civilians and Soviet submarines below the harbor’s surface spread
Together their determined compassion and faith will result in an evacuation that holds the Guinness World Book of Records for largest rescue by a single ship in history, 14,000 people, and a true Christmas Miracle
The idea came to me when I was reading A Christmas Far From Home: An Epic Tale of Courage and Survival During the Korean War by Stanley Weintraub and heard about the Meredith Victory holding the world record and was surprised I had never heard before of the rescue
My unique approach would be the horror and human tragedy of war and the darkness of winter as backdrops against which the humanity and compassion of man and the joyous magic of Christmas can shine
A set piece would be when the refugees are clogged up on the docks leading to the ship. They are forced to leave behind their large bags as well as their furniture and pianos. The refugees on the ship still have medium sized baggage when they see that the flow of humanity is backed up. Slowly one Korean man walks to the railing of the ship’s deck. He sadly looks at his baggage, then drops it off the side of the ship into the sea below. Another man follows his example. Then another. Then a woman. Then a child. Soon the deck railing is lined with refugees, throwing their remaining earthly belongings overboard, watching them disappear under the choppy, frigid waters below, so others could join them aboard the ship. Soon the docks are empty as the ship is stretched to accompany 14,000 refugees fleeing tyranny
Target audiences would be historians, fans of war movies, people involved in humanitarian, charity and social justice projects, Catholics, Korean Americans, South Koreans, fans of Ode To My Father, fans of Timeless, sailors, people involved in the maritime business, naval history buffs, and men and women (30 to 80)
Audiences would want to see it because of its themes of compassion, charity, and humanitarianism and its epic, world-setting rescue, because it honors veterans of the “forgotten war” and because it is a spirit-lifting, emotional, inspirational and motivational Christmas Miracle that captures the true meaning of the Holiday Season