It is called Chipyong-ni It is an Epic War Drama In the vein of Blackhawk Down It is like Top Gun: Maverick meets Fury It follows tunderstanding military genius Lieutenant Colonel James W. Edwards And personable intuitive cavalryman Lt. Col. Edgar J. Treacy, Jr. As they fight off scores of attacking Communists, rescue besieged U.N. …
It is called Chipyong-ni It is an Epic War Drama In the vein of The Siege of Jadotville It is like Top Gun: Maverick meets 12 Strong It follows populist career officer Paul L. Freeman, Jr And sixty-year-old French socialist Ralph Monclar As they seek to stop the Communist Chinese advance into South Korea and …
It is called The Battle of Chipyong-ni
It is a War Action Drama.
In the vein of Lone Survivor
It is like We Were Soldiers meets Fury.
It follows tenacious but fair-minded General Matthew Ridgway
And cunning yet encouraging Lieutenant James P. Mitchell
As they seek to rebuild the spirits of the US Army and find the position of the Chinese army, and determine its strength, numbers and movements.
Problems arise when Mitchell’s company loses its radio and then is cutoff and surrounded by Communist Chinese
Now together Ridgway’s generalship and Mitchell’s leadership will rescue his company at the last minute and find the enemy’s location.
The idea came to me when reading Leo Barron’s High Tide In the Korean War where he writes that the course and events of the battle would make a great movie.
My unique approach would be showing every act of valor during the battle that resulted in a medal, cross or star.
A set piece would be when Mitchell and his company begin running low on ammunition as casualties mount. Despite American planes dropping bombs and napalm on the Chinese, the enemy continues to attack. Mitchell orders the wounded not to moan or cry out when hit so the enemy cannot determine the company’s undermanned strength. Then an airplane drops a streamer with the message that help is on the way. Mitchell crawls around the perimeter, skinning his knees across the hard, icy surface of the hill, streamer in hand. He goes to each man on the line, tells him the encouraging news, then moves onto the next man to lift his spirits.
Target audiences would be military servicemen and women, military veterans, history buffs, South Koreans, Korean War veterans and their families, Korean Americans, fans of video games like Medal of Honor, Battlefield and Call of Duty, fans of Top Gun: Maverick, and men and women (teens to 60s).
Audiences would want to see it in theaters due to the themes of courage, devotion, resilience and determination during a last stand, the excitement and adventure of battle, and honoring veterans and their fallen comrades of a “forgotten” war.
Forgotten American heroes fight to keep a perimeter from becoming a Dunkirk like rout as one of the most audacious amphibious assaults in history is planned. Now That Should Be A Movie. Short Pitch It’s called The Darkest Summer. It’s a War Drama. In the vein of Dunkirk. It is like Saving Private Ryan meets …
It is called Ship of Miracles
In the vein of Schindler’s List
It’s like Dunkirk meets Titanic
It follows religious ship’s captain Leonard LaRue
And self-sacrificing doctor Bong Hak Hyun
As they seek to evacuate 90,000 to 100,000 North Korean refugees trapped between Chinese Communists and the sea during a bitterly cold winter in the Korean War
Problems arise when the only ship left is LaRue’s Meredith Victory, a ship design to carry only 12 passengers, to evacuate the refugees as rumors of Communist infiltrators among the civilians and Soviet submarines below the harbor’s surface spread
Together their determined compassion and faith will result in an evacuation that holds the Guinness World Book of Records for largest rescue by a single ship in history, 14,000 people, and a true Christmas Miracle
The idea came to me when I was reading A Christmas Far From Home: An Epic Tale of Courage and Survival During the Korean War by Stanley Weintraub and heard about the Meredith Victory holding the world record and was surprised I had never heard before of the rescue
My unique approach would be the horror and human tragedy of war and the darkness of winter as backdrops against which the humanity and compassion of man and the joyous magic of Christmas can shine
A set piece would be when the refugees are clogged up on the docks leading to the ship. They are forced to leave behind their large bags as well as their furniture and pianos. The refugees on the ship still have medium sized baggage when they see that the flow of humanity is backed up. Slowly one Korean man walks to the railing of the ship’s deck. He sadly looks at his baggage, then drops it off the side of the ship into the sea below. Another man follows his example. Then another. Then a woman. Then a child. Soon the deck railing is lined with refugees, throwing their remaining earthly belongings overboard, watching them disappear under the choppy, frigid waters below, so others could join them aboard the ship. Soon the docks are empty as the ship is stretched to accompany 14,000 refugees fleeing tyranny
Target audiences would be historians, fans of war movies, people involved in humanitarian, charity and social justice projects, Catholics, Korean Americans, South Koreans, fans of Ode To My Father, fans of Timeless, sailors, people involved in the maritime business, naval history buffs, and men and women (30 to 80)
Audiences would want to see it because of its themes of compassion, charity, and humanitarianism and its epic, world-setting rescue, because it honors veterans of the “forgotten war” and because it is a spirit-lifting, emotional, inspirational and motivational Christmas Miracle that captures the true meaning of the Holiday Season