After one of the most destructive hurricanes in US history strikes its city, a rookie head coach and an injured quarterback create a partnership that changes the culture of a football franchise and leads the team to Super Bowl Victory Now That Should Be A Movie. It is called Payton and Brees. It is a …
It is called Saints in the Broken City
It is a sports drama
In the vein of Remember the Titans
It is like The Blindside meets Invictus
It follows the long-suffering but passionate Who Dat fanbase
And the powerful national corporation the National Football League
As they seek to rebuild New Orleans after a disaster using the New Orleans Saints and the Superdome as symbols of hope.
Problems arise when the Saints lose games and the NFL seeks to exert its power over the local economy
Together the power of the local community will win over corporate commoditization and inspire the nation
The idea came to me when the Saints won the Super Bowl, and it inspired me that anything was possible as I headed to college.
Short Pitch
It’s called The Brees Way
It is a Sports Drama
In the vein of American Underdog
It is like Invictus meets We Are Marshell
It follows short free agent quarterback Drew Brees
And practice squad member Lance Moore
As they build the cohesion and chemistry a team needs to have to win the Super Bowl.
Problems arise as Drew’s shoulder injury slowly heals, his elbow is dislocated, and he gets up set when he loses competitions.
Now together the team will learn to respect Drew’s competitive nature rubs off on the other players and drivers them to be the best Saints on and off the field.
The idea came to me when reading Bree’s Coming Back Stronger and I wanted to do more research on his career for a movie about Super Bowl XLIV.
My unique approach would be a football player challenging himself to excel at excellence not to win career accolades but uplift a devastated city and region whose hopes and dreams were riding on his shoulders.
A set piece would be when Lance Moore has just received word that he has been loaned out to play for a football team in Germany for the 2006 season. He is sitting in the neglected corner of the locker room meant for the practice squad. Suddenly Drew Brees, the star quarterback is tapping him on his shoulder “Hi, I’m Drew Brees, nice to meet you. Let me know if you need anything?” “Thank you,” replies Lance. “I’m Lance Moore.” “Lance Romance,” ask Drew, probing. “Yeah,” replies Lance. “You can call me back.”
The target audiences would be football fans, sports fans, athletes, fans of the great outdoors, men and women 20-80, Germans (because Lance played for the Berlin Thunders), Louisianas, the people of the Gulf Coast and the Who Dat Nation.
Audiences would want to see it for its themes of hope, resilience, determination, personal sacrifice and responsibility for a higher goal, community and overcoming devastation and adversity.
Who Dat!
It is called Patron Saints
It is a Sports Drama
In the vein of The Blindside.
It is basically American Underdog meets Invictus.
It follows a determined football franchise with an abysmal track record called the New Orleans Saints
And their downtrodden storm victimized fans The Who Dats
As they rebuild the team and the Golf Coast area after the devastation of Hurricane Katrina.
Problems arise when the team loses games and the longsuffering Who Dats began to wonder if the franchise has really improved.
Now they must feed off each other’s determination and faith as they show the world that the Gulf Coast is coming back.
This idea came to me when The Saints won XLIV 44.
My unique approach is the symbiotic relationship of a city and a football franchise as they recover from disaster and build a team of champions.
A set piece would be when the team is playing one of their first games. A dejected fan sits in his FEMA trailer looking at his damaged house that contractors have still not shown up to clean out. The team scores two field goals and a touchdown in the first quarter. The fan sits up. Then the team scores two more touchdowns in the second quarter. The fan stands up and starts pacing back and forth in his trailer. In the third quarter the team scores two field goals. The game is close. The fan leaves the radio blaring as he runs into his house and begins cleaning it out. By the time the team has won, 34-27, the fan has completely cleaned out his house.
Target audience would be football and sports fans, men and women 30-65 years, the faith-based market, and residents of the Gulf Coast region.
People would turn out to watch the film in theaters because of the universal themes of recovery, healing, and overcoming adversity and the indomitability of the human spirit.
There is so much potential for a movie about the Saints’ Super Bowl Victory. It is a Cinderella story of underdogs. It is the comeback story of a great American city. It is a story of healing. It is a triumphant story of overcoming divisions. It is a story of the power of faith, belief, hope and community. Universal themes that transcend cultural and national barriers.
The excitement was so palpable that when the crowd erupted in cheers after Curtis Deloatch scooped up the ball for a touchdown, that he made a beeline for the goal post. Spiking the ball over the bar with a one-handed reverse dunk, he nearly hit his helmet on the cross bar, 10 feet from the ground. “I was going crazy,” he later told reporters. “You could feel the dome just rocking. We must have celebrated for 20 minutes” The referees did not throw any flags. Strangers hugged each other. Fans tumbled over seats and spilled out into the aisles. The celebration continued out into the street and through the night.
The story of the Saints and Super Bowl 44 has many great elements that would make a great movie. It is combination of underdog, comeback, and Cinderella stories. It is a story of hope and inspiration, of rebuilding and rebirth in the face of devastation, themes that resonate with people across the world and time. It is a story of racial and economic healing as people unite in their common goal to overcome adversity The language of film offers many apropos montages of New Orleanians and the Golf Coast Who Dats cleaning up and rebuilding intercut with the Saints training to become a better team and winning victories on the field.
Because it is an incredibly powerful comeback story about motivation, positive thinking, community spirit and not giving up no matter the odds is why Drew Brees’ Coming Back Stronger should an inspirational football movie filmed in Louisiana, of course, ya’ll! Who Dat!