Eight doctors and thirty nurses seek to serve and survive seven thousand prisoners when riots break out in a prison that the aftermath of Hurricane Katrina has trapped them.
Now That Should Be A Movie
It is called No Ordinary Heroes.
It is a disaster drama
In the vein of The Perfect Storm.
It’s like Shawshank Redemption meets Downfall.
It follows Air Force veteran and Medical Director of the New Orleans Jail Dr. Demaree Inglese
And a stickler for rules but dog loving deputy named Mike Higgins.
As they provide medical care and security at the New Orleans Community Correctional Center.
Problems arise when the power goes out and the prisoners begin rioting.
Together they will remain calm and professional as they carry out their duties until evacuated.
The idea came to me when I was doing research for a possible action film set in post-Katrina New Orleans and gave Dr. Inglese’s book read.
My unique approach would be the tense setting of being trapped between lawless, flooded streets and the cinderblock walls of a prison filled with hungry, rioting inmates.
A set piece would be when cells on the lower floor begin flooding. Inmates begin screaming and stand on the toilets. Because the power is out, the doors have to be opened manually. In their impatience, some inmates kick the doors off their runners. Prison guards have to use crowbars or sledgehammers to open the doors. The water is rising, so the deputies have to dive under the surface to position the crowbars. While the deputies are submerged, the inmates have to work with the guards as they push the door open. The water is up to inmates’ chests when the deputies resurface, and the prisoners swim out of the cells. Together, officers and prisoners make their way to dry ground.
Target audiences would be men and women (20-50), law enforcement, and fans of thrillers, action, suspense and disaster films.
Audiences would want to see the film because of the story of law enforcement, first responders, and medical personnel doing their job in the face of insurmountable obstacles, and for the themes of suspense, thrills, rising tenson, disaster, action, and devotion to duty.
A couple in their fifties with a troubled past find redemption on the flooded streets of New Orleans when they rescue forgotten people in the wake of Hurricane Katrina.
Now That Should Be A Movie
It’s called An Airboat On The Streets of New Orleans
It’s a rescue drama
In the vein of Dunkirk.
It is like Hard Rain meets Only The Brave.
It follows a criminal with a violent reputation Doug Bienvenu
And his adventurous common-law-wife with kidney failure Drue LeBlanc
As they seek to rescue people trapped in New Orleans by the flood waters of Hurricane Katrina.
Problems arise when police and the National Guard interfere with their rescue operations.
Together they will work on Doug’s attitude toward authority and push through Drue’s pain as they rescue 800 people.
The idea came to me when I found the book at the library and read it in search of Louisiana stories that should be filmed in Louisiana.
My unique approach would be to show an act of humanity that is challenged by both a natural disaster and a bungled response by authorities.
A set piece would be when Doug and Drue return to an island in the flooded city where they have been leaving the refugees they rescued. They are shocked to see that most of the people are still there. Then four police officers arrive. They are checking on rescue teams to keep them safe from sniper fire. Doug insists that the snipers are people just firing into the air to attract attention to their plight. Then he points out that the people on the island have still not been rescued due to bungled response at every government level to the disaster. Many of the people on the island have been there for two days in the heat of the sun while being bitten by fire ants. They’ve had little food and water. They start to take out their frustration on the police officers. Doug realizes the confrontation might turn violent. In a change of his negative attitude toward authority, Doug gets on his boat, maneuvers it between the officers and the people and revs his engine, drowning out the shouting. Then he tells the refugees that he had brought them to dry ground and the only thing he asked of them was to let the officers go in peace. Crisis averted.
Target audiences would be men and women 30-70, outdoorsmen and outdoorswomen, fans of adventure and rescue dramas, and Louisianians.
Audiences would like to see it due to its themes of redemption, challenging authority, romance, sacrifice and an exciting act of humanitarianism.